“Come on, let’s go on a journey.” – Miyazono Kaori
Overall. Wow, what an emotionally intense episode after the setup in Episode 3. My palms started sweating and I almost cried when Kousei struggled and finally gave up on playing in the middle. It was the sort of thing you knew was coming, yet couldn’t help but be swept up in the moment anyways. Episode 4 was the like the epiphany that finally sparks after two years of struggle. We got our long-awaited Kaori-Kousei duet, Kousei’s return to the limelight, and a semi-success in overcoming his trauma. This is just a beginning for Kousei—technically he still can’t hear his own notes—but it seems to be the beginning of the end for Kaori. These two are polar opposites. Kousei is trapped while Kaori is free. Kousei is monotone while Kaori is colorful. Kousei is timid while Kaori is bold. It makes sense then that as Kousei waxes, Kaori wanes. People, “April will be ending soon.”
“You exist inside a spring that can’t be replaced.” – Arima Kousei
Overall. In Episode 3, plot moves forward and plot is foreshadowed. Kousei’s snail pace trauma recovery continues from Episode 2 (read review here) when he attended a classical music competition, to playing Twinkle Twinkle Little Star in a cafe and becoming Kaori’s accompanist in Episode 3. I want everything to be smooth sailing awesomeness from here on out, but I have a feeling that Kousei’s recovery will likely be one step forward, two steps back…aka, prepare for imminent breakdown in the next episode. Music and animation continues to be stunning, and we (maybe?) get a peek at something very, very scary—an idea of what the real lie in April is.
“My music…will it reach them?” – Miyazono Kaori
Yes, it will.
Overall. Great follow-up to the first episode (read Episode One Review). In terms of plot, not much happened though – Episode Two is more of a setup episode, and builds up the hype for the season fantastically by giving you a taste of what is to come on all fronts—awesome music, superb animation, developing romance, and of course, the return to competition. Arima Kousei is slowly but surely getting pulled back into competitive piano and the “sports” genre aspect of Shigatsu wa Kimi no Uso is already peeking out behind the curtain, something I suspected will happen since I first started noticing the anime’s similarity to Chihayafuru (aka Shigatsu won’t be a full-on romance anime like Nodame Cantabile). This suspicion is further supported by spoiler scenes in the opening sequence—a blond boy and black-haired girl playing the piano who will probably be set up as Kousei’s rivals.
“I met the girl under full-bloomed cherry blossoms, and my fate has begun to change.” – Naoshi Arakawa, mangaka
Shigatsu wa Kimi no Uso is about a piano prodigy Arima Kousei who had a mental breakdown after his mother and piano instructor died. Two years later, he hasn’t touched the piano and is content to live a normal life surrounded by his childhood friends, until he meets free-spirited violinist Miyazono Kaori, who helps Kousei return to the music world.
Episode Thoughts / Reactions
Overall. Wow, I have to say that Episode One completely surpassed all my expectations. I stumbled upon Shigatsu wa Kimi no Uso while looking for something different than my usual schtick, usually either shounen fantasy / seinen psychological / sports shows. I am definitely thrilled that I humored my whim. This anime is going to be fantastic.